Jeanne creates a secret admirer to woo Lana away from Seifriet. |
Super Dimension Cavalry Southern Cross: Love Story.
Original Air Date - Super Dimension Cavalry Southern Cross: July 29, 1984. Writer: Tadashi Terada. Director: Noriyasu Kogawa.
Robotech: Love Song.
Original Air Date - Robotech: May 14, 1985.
Story Editor: Steve Kramer. Supervising Director: Robert V. Barron.
PLOT - SOUTHERN CROSS
Supreme Commander Claude Leon has put Gen. Emerson in command of the newly secured Aluce Base - in a single command exiling his archrival to Gloire's moon and putting him at the front line of the war. Leon also assigns all of the officers loyal to Emerson, leaving Gloire staffed entirely with his own followers.
Jeanne has more important things on her mind - namely, romance. Sekishima, a captain assigned to the mission, approaches her to help him talk to Lana before he departs. Jeanne throws herself into this, crafting a plan for him to woo Lana as a secret admirer known as "The Rose of Gloire" - with the benefit to her that, if they succeed, she will be left with no rival for Seifriet's affections. There's only one problem: Lana is convinced that the messages are coming from Seifriet, which makes her extremely uncomfortable.
Meanwhile, Marie prepares for a special night with Charles. But when a woman from Charles's past intercepts him, their evening takes a disastrous turn...
PLOT - ROBOTECH:
Supreme Commander Anatole Leonard has put Gen. Emerson in charge of the next assault - in a single command exiling his archrival to what is likely to be a one-way mission. Leonard also assigns all of the officers loyal to Emerson, leaving Earth's headquarters staffed entirely with his own followers.
Dana has more important things on her mind - namely, romance. Komodo, a captain assigned to the mission, approaches her to help him talk to Nova before he departs. Dana throws herself into this, crafting a plan for him to woo Nova as a secret admirer - with the benefit to her that, if they succeed, she will be left with no rival for Zor's affections. There's only one problem: Nova is convinced that the messages are coming from Zor, which makes her extremely uncomfortable.
Meanwhile, Marie prepares for a special night with Sean. But when a woman from Sean's past intercepts him, their evening takes a disastrous turn...
Marie prepares for her date with Charles. Things do not go as expected. |
CHARACTERS:
Emerson knows exactly what the Supreme Commander is doing, but his sense of duty leaves him with no choice but to follow his orders. Bowie will not express his worry to Jeanne, and Emerson will not come to him. Instead, each shows their feelings silently - Bowie lost in thought as he plays the piano, Emerson stopping his car outside the barracks to listen to him play.
Charles's past promiscuity comes back to haunt him with Marie, who misinterprets his attempts to get away from an old lover. This could come across as sitcom shenanigans - but they never actually resolve the misunderstanding, with it falling to Lana and another officer to intervene on Marie's behalf. Meanwhile, the reactions of both characters show us that their attachment is deeply felt, even as the two are left in turmoil.
Advantage: None.
NARRATION:
Southern Cross's opening narration is more focused than in previous episodes, hitting all the major points that impact the plot of this installment without needless clutter. The Robotech narrator gets a bit overenthusiastic during the recap. Also, the Robotech narrator keeps coming back for scene transitions, particularly in the first half. It's far from the series' worst offender. Still, most of these intrusions are entirely unnecessary.
Advantage: Southern Cross.
Lana receives a letter from "The Rose of Gloire." In Robotech, it's just from a secret admirer. |
CUTS AND ALTERATION:
Manually Processing the Security Checks: An early scene sees Lana manually processing security checks for the task force bound for Aluce Base. In Southern Cross, she and her superior discuss how unusual this is, as normally they would set parameters for the computer to screen. The superior officer is entirely friendly and good-natured. This is not the case in Robotech, which transforms him into a sneering jerk, making it seem all the more bizarre when he's pleasant to her later.
Angelo Is More Talkative than Andrzej: Chalk this one up to Robotech's fear of silence. When Seifriet goes to GMP Headquarters to deliver a book from Aluce Base to Lana, Southern Cross's Andrzej follows him and makes sure that he's seen - but he does not actually speak until Seifriet arrives. In Robotech, Angelo also follows Zor - only this time, he calls out things like, "Hey buddy!" and "I'm watching out for you!" every time he's on screen.
The Secret Admirer: The letters to Lana are from "the Rose of Gloire," with close-ups of that title written in English. But those letters are addressed to "Lana" and not "Nova," and Robotech occurs on Earth and not the colony of Gloire. As a result, the shots in question are removed, and "the Rose of Gloire" becomes a more generic "secret admirer."
The Roman Aspect of the Supreme Commander's Assignment: This is a change I actually like. In both versions, Lt. Brown, who is removed from the mission due to a mistake by Lana/Nova, tells her that he's glad of the error because it will let him keep an eye on the Supreme Commander. He then talks about how all dissenting voices have been methodically assigned to this mission. In Robotech, he compares this to the behavior of Roman emperors, who would "promote" dissenters to become governors of distant provinces to get rid of them, which adds a nice extra layer to the scene.
Marie Waits: While waiting for Charles, Southern Cross's Marie muses that if he takes too much longer, she'll already be drunk by the time he arrives. Robotech de-emphasizes the alcohol by changing her thoughts to impatient worries that Sean might stand her up and leave her with nothing but "cab fare."
"The Triumveroid": There's a single cutaway to the aliens as they test their new secret weapon. Robotech names it "The Triumveroid," with the scientists exulting at how it performs all essential functions of combat. The Robotech scene works just a little bit better than the Southern Cross version, in my opinion, with the description of the new weapon blending effectively with the visuals of the test.
Marie's Departure: When Marie leaves in Southern Cross, Andrzej observes that she specifically asked to join Gen. Emerson in his assignment. Robotech removes this, with Angelo just telling Sean that she has more important things to worry about than him.
Advantage: None.
INCIDENTAL MUSIC:
The only notable musical moment is Bowie playing on the piano as his father (or, in Robotech, godfather) prepares to leave on a dangerous mission, and that scene is equally effective in both versions. There is a nice use of musical continuity in Robotech, as a piano version of Minmei's It's Me is heard in the background while Marie waits for Sean, but overall both episodes use their scores about equally well.
Advantage: None.
Jeanne watches Lana and misinterprets a serious conversation. |
OVERALL ADVANTAGE - NONE:
The episode is equally enjoyable in either version. The changes are relatively minor ones that have no significant impact, leaving a viewing experience that's roughly the same whether you're watching Southern Cross or Robotech.
OTHER MUSINGS:
I had low expectations given this episode's title. The "love story" aspects of Southern Cross have not impressed me. I fully believe in the Marie/Charles romance, but I have yet to be given much reason to care about it. I also have utterly failed to be convinced by the Jeanne/Seifriet relationship. Expecting that to be the focus, I braced myself for an installment that would... well, probably be bad.
Imagine my surprise when this ended up being one of the series' better episodes!
There are some amusing animations to go along with the lighthearted nature of Jeanne's secret admirer plan. When lovesick Sekishima approaches Lana, he does so with the posture of a man who badly needs to go to the bathroom. The script is also well-written, adeptly balancing a humorous "A" plot against the drama of the Supreme Commander's plan and the likely fates of those assigned to accompany Gen. Emerson. The moments of Bowie silently playing the piano express his emotions more effectively than any speech would. Even the one cutaway to the aliens, as they test their new weapon, underscores the likely fates of Emerson and his team.
Love Story ends up working all around: as a character piece, as a building block for the larger story, and as an entertaining episode in its own right - and in this case, the Robotech version works just as well as the original!
Overall Rating: 8/10.
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