Showing posts with label Admiral Gloval. Show all posts
Showing posts with label Admiral Gloval. Show all posts

Tuesday, May 14, 2024

1-36. Farewell to Tenderness/To the Stars.

Hikaru is torn between the life he once wanted and the one he's come to know.
Hikaru is torn between the life he once
wanted and the one he's come to know.

Super Dimension Fortress Macross: Farewell to Tenderness

Original Air Date: June 26, 1983.
Written by: Shôji Kawamori. Directed by: Noboru Ishiguro, Ryô Yasumura.

Robotech: To the Stars

Original Air Date: Apr. 22, 1985.
Story Editor: Steve Kramer. Supervising Director: Robert V. Barron.


PLOT - MACROSS:

Minmay, now living with Hikaru, presses him to resign from the military. Misa is also considering resigning, unable to bear the thought of seeing Hikaru every day while he forges a life with Minmay. Then Admiral Global offers Misa a new assignment: To take command of a new battle fortress that's currently under construction. Her remit will be to spread human culture among the stars, so that civilization will survive even if another attack comes.

Meanwhile, Kamujin has completed repairs to his ship. He takes off with a very specific target in mind: The Macross!


PLOT - ROBOTECH:

Minmei, now living with Rick, presses him to resign from the military, but he clearly doesn't want to; as Roy once told him, "this Robotech stuff gets in your blood." He finds himself reflecting on Lisa, musing that she would understand...

Lisa is also considering resigning, unable to bear the thought of seeing Rick every day and feeling that she is in no condition for duty in her current state. Then Admiral Gloval offers her a new assignment: To take command of a new battle fortress that's already been constructed. Her remit will be to find the Robotech Masters and destroy their capacity to make war, in order to preserve the future of humanity - and she leaves tomorrow!

Meanwhile, Khyron has completed repairs to his ship. He takes off, planning to head to deep space and rejoin the Robotech Masters. Before he leaves, however, he plans to take his revenge by destroying a very specific target: The SDF-1!

The three leads air their viewpoints in the midst of battle.
But in Robotech, Minmay doesn't seem to have a point.

CHARACTERS:

To the Stars continues the trend of Robotech's epilogue arc: It engages in yet more character assassination of Minmay. Macross's Minmay is going through a personal crisis, but she also is generally maturing. By the end of the series, she is ready to find her "real songs" on her own, without her family, Kaifun, or even Hikaru shielding or controlling her. In Robotech... Minmei is a petulant child pretty much the whole way through.

It is understandable that the writers wanted to push the audience toward the Rick/Lisa relationship. But I suspect most Macross viewers already preferred the Hikaru/Misa pairing (I certainly did). Misa comes across as better for Hikaru not because Minmay is a spoiled child, but because life has taken him in a direction where Minmay is no longer a good fit for him as a partner. And, yes, there certainly are Macross viewers who prefer Minmay; but allowing for discussion, debate, and differing audience opinions is not a bad thing. Regressing one of the main characters to the point that she's actually less mature in the series' final episodes than she was in the early ones? That is a bad thing.

Advantage: Macross.


NARRATION:

The Macross episode plays out without narration, while the Robotech episode leans heavily on that crutch. In Robotech's defense, story changes to accommodate the next two series make some of this necessary. But there are also several points at which the narrator literally tells us what is happening on screen, with the usual internal voice overs added for good measure. In the final episode of "The Macross Saga," Robotech continues with its most annoying trend: being terrified of any moment of silence.

Advantage: Macross.

Kamujin attacks for the sake of attacking. Robotech's Khyron actually has a goal.
Kamujin attacks for the sake of attacking.
Robotech's Khyron actually has a goal.

CUTS AND ALTERATIONS:

Hikaru and Minmay vs. Rick and Minmei: In Macross, Minmay is disappointed that Hikaru hasn't made up his mind yet about leaving the military. She talks about how much she wishes they could go back to how things were when they first met, before she was a singer and he was a soldier. This reinforces one of the episode's major themes, of the futility of wishing for a past that's already gone. Robotech simplifies the scene by having her push him to quit, then asking him to marry her and pressing for an immediate answer. It more or less accomplishes the same narrative task, but there's no thematic resonance - and this interaction makes Robotech's Minmei come off far worse than Macross's version.

Khyron Wants to Join the Robotech Masters: It's been several episodes since the Robotech Masters were last mentioned, and the show is literally one episode from starting the "Masters Saga." Thus, while Macross's Kamujin just wants to attack the Macross to lash out destructively, Robotech's Khyron has a larger goal - destroy the SDF-1, then take the ship to space to rejoin the Masters. Thus reminding viewers that the Masters exist and are still coming.

The Admiral's Plan: In Macross, Admiral Global wants humanity to spread out to the stars in part as a survival plan: Should the Zentradi or another alien menace appear, humanity simply could not survive another blow if it's all gathered on one world, so he wants to seed the galaxy to make sure that doesn't happen. In Robotech, his plan is more militaristic. He wants to track "the Robotech forces" back to their home world and destroy "their capacity for making war." This seems rather aggressive and likely to bring down the very attack he fears. It's also overambitious, given that humanity would certainly be both heavily outnumbered and technologically outmatched.

Misa/Lisa's New Assignment: Global wants Misa to command a ship that's under construction. Robotech's Gloval is putting Lisa in charge of a ship that's already been completed, with orders to "leave tomorrow." That change is as senseless as it is unintentionally hilarious. Given the scale of the mission, she needs months of prep time to: (a) make both short-term and long-term mission plans; (b) select crew members and assign them to their best roles; (c) familiarize herself with the specs of the new ship and take it for a couple test flights; (d) make sure all logistics regarding supplies are taken care of, with suitable backups in case of emergencies... and probably about a hundred other things that I don't even know to think of. Misa has time for all that, since her ship is still being built. Lisa leaves tomorrow on a long-term, complex mission on a ship she didn't even previously know existed. Frankly, Lisa should refuse on the spot; "Sir, if you want to kill me, wouldn't it be a lot more efficient to just shoot me here and dump my body in the water?"

Misa Describes Her Assignment to Hikaru: A small but critical difference occurs in the scene in which Misa tells Hikaru about her assignment. In Robotech, Lisa just talks about the strategic value of finding the Robotech Masters. In Macross, Misa discusses Global's deep space settlement plan and notes that the mission is to spread culture, "not to kill" - which strikes a chord with Hikaru, who has struggled with his affinity for military life vs. his distaste for killing. The Macross line is so effective, both on a character and thematic level, that this change really harms the American version.

Arguing in the Midst of Battle: Also changed is the scene in which Hikaru and Misa talk with Minmay. In the original, when Minmay tries to stop Hikaru from joining the battle, Misa stops her by asking who she sings for, and then adding that she and Hikaru fight for the same reason that Minmay sings. After Minmay protests again, Hikaru announces that he is a soldier and has to "protect you... and the city." Robotech completely changes this. Now Minmei now spouts off about "war, devastation, and battle after battle," all to set up Rick and Lisa lecturing her like a small child. In the process, an extremely good scene is transformed into a rather bad one.

The SDF-2: In Macross, there is only the one battle fortress, with Misa's ship something that's only starting construction. In Robotech, the SDF-2 is already finished, which is folded into the climax. While Kamujin only has one ship to attack, Khyron's first assault is on the SDF-2, which he destroys before the SDF-1 is able to fight back. I actually think this is a good change. Given how devastating the first attack appears to be, it seems odd that the Macross doesn't seem to be particularly damaged by it, something that's addressed by Robotech's new context. However, the effectiveness of this change has one big limitation: the actual artwork and animation, which only ever shows a single battle fortress.

Lisa Survives Because of an Ejection Module: In Macross, Misa survives the battle, with the fates of the rest of the bridge crew left unresolved (sequels would later clarify that everyone survived). Robotech is actually bleaker here. Admiral Gloval pushes Lisa into an ejection module, allowing her to survive... while a bunch of other characters we've followed over the past 36 episodes died.

The Final Conversation with Minmay: In Macross, Minmay declares that she will start over and create new songs that will be more meaningful than her old ones. She then asks Misa for permission to join her when her ship takes off on its mission to bring human culture to the stars. In Robotech, Minmei puts on a brave face when Rick chooses Lisa and promises to have new songs ready when they return to Earth - which means that unlike her Japanese counterpart, Robotech's Minmei does not intend to join them in their voyage.

Advantage: Macross


INCIDENTAL MUSIC:

Though the Robotech score is well applied in the final battle scene, overall I thought Macross made more effective use of its music. This is particularly true of the emotional confrontation among Hikaru, Misa, and Minmay. Macross's score underlines this as a character-focused scene, drawing the viewer's attention to the mindsets of the three principals. Above all, it is an emotional moment, as all three get to say their piece eloquently.

Robotech scores the same scene with its signature "tense music." This shifts viewer attention away from the emotion of the conversation (which has been dumbed down anyway). The music basically tells us that what matters is the battle, so Minmei delaying Rick and Lisa is an annoyance. Instead of drawing us into the characters in this moment, the score instead has us mentally telling them to hurry up and get to the fighting.

To say that I found the Robotech version of the scene to be less memorable would be an understatement. Yes, a lot of that has to do with the writing - but the way the music is applied also takes away from the moment.

Advantage: Macross.

The Super Dimension Fortress Macross makes its final stand.
The Super Dimension Fortress Macross makes its final stand.

OVERALL ADVANTAGE: MACROSS:

As with many elements across the two series, the most significant thing about the changes is the way they shift the focus. The Macross episode is heavily centered around the characters of Hikaru, Misa, and Minmay. The Robotech episode focuses far more on Plot... and to give credit where it's due, many of the actual plot changes are for the better.

I genuinely prefer Khyron's subplot in Robotech, because Khyron actually has a goal while Kamujin is just lashing out for the sake of it. I also think the destruction of the SDF-2 during Khyron's first pass makes clear how devastating the attack is. In both of these instances, the Robotech changes strengthen the plot.

Unfortunately, everything else is much weaker. Farewell to Tenderness has a strong sense of thematic unity, with a script that is very much about bringing the series full circle. Minmay wants to return to the way things were when she first met Hikaru at the series' start, but Hikaru just isn't the same person (really, neither of them are). Misa pitches the space mission to Hikaru as having a goal to spread culture and not kill, which speaks to his series-long dilemma of wanting to protect while at the same time hating violence. The episode's final Act sees the Macross crew back on the original bridge - during an attack that bears more than a passing resemblance to the one in the opening episodes. There's a strong sense throughout of the series' finale echoing its premiere, with the echoes showing the ways the characters have changed in the intervening years.

Much of this is lost in Robotech. Minmei no longer talks about wanting things to be the way they used to be. Lisa doesn't say anything about the mission being one of peace... not least because the writers have changed the mission from a peaceful one to a hyper-aggressive pre-emptive strike. Hikaru resolves his dilemma when he announces that he's a soldier and has to protect Minmay and the city. Rick has already made his decision before the episode even opens, with him musing about preferring Lisa to Minmei in his very first scene. Some of the themes are still present for those who want to search for them - but they are considerably weaker and pushed to the background, and they don't resonate the same way as a result.

Snowfall or ash? Hikaru and Misa stand in the wake of the battle.
Snowfall or ash? Hikaru and Misa stand in the wake of the battle.

OTHER MUSINGS:

In the first episode of Super Dimension Fortress Macross, Hikaru scorned Roy's pride in being "a killer." Throughout the series, he has wrestled with a distaste for violence. Here, he finds an answer - in Misa's promise of a mission whose goal is peaceful, and in his own realization that he finds meaning in protecting those he cares about. Like the series itself, it's rich in both theme and character... though like much of the epilogue arc, the actual episodic story feels a bit thin.

Robotech has largely been a series more focused on plot mechanics than on the characters. This shows in its adaptation of the finale, which loses much of thematic strength and flattens out the layered characterizations... but at the same time, also makes the standalone plot a bit stronger by giving Khyron an actual long-term goal. While the wholesale creation of an SDF-2 is a bit strained, its destruction means that Khyron's assault does tangible damage, and Rick's and Lisa's determination to rebuild manages to be a pretty good thematic fit with the entire epilogue arc.

In short, each finale ends up being appropriate to its series. Each version's strengths reflect the strengths and priorities of the series as a whole - Macross with character and thematic depth, Robotech with plot. Since themes and characters tend to stick with me long after plot mechanics have been forgotten, I prefer Macross - but it's still interesting to see how differently the same story plays out with just a handful of shifts in focus. 


Overall Rating - Macross: 8/10.

Overall Rating - Robotech: 7/10.

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Tuesday, April 9, 2024

1-31. Satan's Dolls/Khyron's Revenge.

Kaifun whips up a mob to chase Hikaru out of town. To no one's surprise, this backfires spectacularly.
Kaifun whips up a mob to chase Hikaru out of town.
To no one's surprise, this backfires spectacularly.

Super Dimension Fortress Macross: Satan's Dolls

Original Air Date - Macross: May 21, 1983.
Written by: Sukehiro Tomita. Directed by: Katsuhito Akiyama, Noboru Ishiguro.

Robotech: Khyron's Revenge

Original Air Date - Robotech: Apr. 15, 1985.
Story Editor: Steve Kramer. Supervising Director: Robert V. Barron.


PLOT - MACROSS:

Renegade Zentradi Kamujin attempts to keep his word to the other rebels to restore them to full size, ordering the theft of the miclone device in Trad City. Hikaru is able to stop the theft from this community, which is more than fifty percent Zentradi. But when he suggests placing the device in military custody to prevent further attacks, Minmay's cousin Kaifun whips up the crowd into a frenzy until Hikaru just leaves without the machine.

This means there's nothing to stop Kamujin from a second attack. This time, he leads it himself and takes time to target the communication towers so that the city can't call for reinforcements again. Thanks, Kaifun - I'm sure the residents will feel great about their freedom from the military while they're cleaning up rubble and burying the dead!

Meanwhile, Exsedol and Admiral Global share the results of their research into the Zentradi's origins...


PLOT - ROBOTECH:

Renegade Zentraedi Khyron attempts to keep his word to the other rebels to restore them to full size, ordering the theft of the protoculture device in New Detroit, a city whose population is more than half Zentraedi. After stopping the theft, Rick Hunter plans to assign a full-time military guard to prevent more trouble. The town's mayor is about to agree... until Kyle shows up and practically starts a riot to force the soldiers to leave the city.

This means there's nothing to stop Khyron from a second attack. This time, he leads it himself and takes time to target the communication towers so that the city can't call for reinforcements again. Thanks, Kyle - I'm sure the residents will feel great about their freedom from the military while they're cleaning up rubble and burying the dead!

Meanwhile, with their protoculture reserves dangerously low, the Robotech Masters prepare for their journey. It will take decades for them to reach Earth - but when they do, they will be ready to lay claim to the protoculture factory!

Minmay disapproves of Kaifun's actions, but she does not act to stop him.
Minmay disapproves of Kaifun's actions,
but she does not act to stop him.

CHARACTERS:

Minmay observes the confrontation between Hikaru and Kaifun from inside a car. She actually agrees with Hikaru, which is later affirmed by her certainty that the city is going to be attacked (Minmei's agreement with Rick is made even clearer in Robotech). Still, she does not intervene - something she berates herself for at the end.

Exsedol is distraught by discoveries about the Zentradi's origins. Few viewers will be surprised by his findings, which trade in pretty stock sci-fi concepts. Still, it's a shock for Exsedol, and the title of the Macross episode comes from his reaction to this discovery.

Advantage: None.


NARRATION:

Neither episode's narration is intrusive. That said, typical of the series, Robotech lays voice over atop several scenes that don't need it.

Advantage: Macross.

Lap Lamiz manipulates Kamujin into taking action. Robotech's Azonia just stands there admiring him.
Lap Lamiz manipulates Kamujin into taking action.
Robotech's Azonia just stands there admiring him.

CUTS AND ALTERATIONS:

The Robotech Masters: Yet another cutaway to the Masters, as Carl Macek's Americanized show uses the epilogue arc to create a prologue for the next generation's conflict. It works better here than in the previous two episodes. The scene follows directly on from their failed experiment in Viva Miriya, which helps it to feel like part of the overall story. It also helps that the cuts that make room for this scene are better chosen than in the previous episodes.

Vanessa, Kim, and Shammy Gossip: The big cut that makes room for the Masters' appearance? A moment of these three gossiping about Minmay's love life, which is abruptly cut off by a glare from Misa. This scene contributes nothing to characterization, theme, or story; it isn't particularly amusing; and I didn't miss it at all in the Robotech version.

The Reason for the Near-Riot: Hikaru plans to take the machine away from the city. Yes, he promises that it will be available for the city's Zentradi to use on request; but when you have to travel an unspecified but likely significant distance for a service, that effectively denies that service to a lot of people. In Robotech, Rick merely proposes putting a guard on the machine - the one that had just been targeted. In Macross, it makes sense that there would be resistance to Hikaru's proposal, so it makes sense that the crowd would go along with Kaifun. In Robotech, that makes a lot less sense. The machine is staying here, fully accessible to the public, just with some added security - which doesn't seem like something that people who just weathered an attack would object to. As presented in Robotech, I'd expect most of the crowd to tell Kyle to shut up and go away.

Hikaru and Minmay Share an Acid Trip: Well, that's what it looks like, anyway. At the tail end of Kaifun's protest, Hikaru and Minmay lock eyes, and we get a psychedelic dream/vision of them embracing against, um, swirls. This was removed from Robotech - and I wholeheartedly endorse its removal.

Lap Lamiz Manipulates Kamujin; Azonia Is Smitten with Khyron: After learning of the failed theft, Kamujin initially assigns the next attempt to his deputy. Lap Lamiz touches his shoulder and softly coos that he's the only Zentradi who hasn't become soft, which prompts him to take command himself. Robotech simplifies this, with Khyron already intending to oversee the operation personally while Azonia beams in approval.

Advantage: Macross. Though the actual cuts are well chosen, other interactions are simplified to bad effect.


INCIDENTAL MUSIC:

I'm giving Macross the nod mainly because of the ending. It's narratively identical in both versions: Hikaru/Rick arrives at the battle-scarred city just in time to watch Kaifun and Minmay drive away, while Exsedol's musings about his people are layered over it. Macross's presentation is much stronger, however, thanks to the use of one of Mari Iijima's songs, which makes an effective counterpoint to the scene. The Robotech version just doesn't carry the same weight.

Advantage: Macross.

Exsedol is shaken by a discovery about his people's origins.
Exsedol is shaken by a discovery about his people's origins.

OVERALL ADVANTAGE: MACROSS:

Robotech does a pretty good job this time integrating Southern Cross footage, certainly compared to the previous two installments. This marks the first time that the "Masters Prologue Arc" hasn't harmed the main episode. This is helped by the one major cut (the gossip scene) having been a pretty poor scene in the original, meaning that it was not missed in Robotech.

What does harm the episode are changes to two interactions. In Macross, there are legitimate reasons for the townspeople to resist Hikaru; Robotech, by changing this so that Rick is blameless, makes the townspeople seem irrational to even listen to Kyle. Another change to the interactions of Kamujin and Lap Lamiz strip away intriguing character dynamics, flattening what had been interesting moments into mere "villain scenes."

All of which leaves the Macross version clearly the superior one. As usual.


OTHER MUSINGS:

Despite the dramatic title, this episode is mostly setup. Kamujin's plans are advanced by his successful operation, but the "revenge" promised by the Robotech title never really materializes. The other major strand cements the Zentradi's origins, and in Macross is used to give backstory to the war between them and the Supervision Army. Ramifications from this, however, are left to future episodes (or possibly the Macross sequels, as there is very little of this show left).

Overall, this forms a necessary step in the show's epilogue arc, and it's a perfectly fine episode as far as it goes... but it's not one of the series' highlights.


Overall Rating: 6/10.

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Thursday, August 17, 2023

1-01. Boobytrap.

A city emerges to support the reconstruction of a crashed alien spaceship in the near future of 2009.
A city emerges to support the reconstruction of
a crashed alien spaceship in the near future of 2009.

Original Air Date - Macross: Oct. 3, 1982.
Written by: Ken'ichi Matsuzaki. Directed by: Noboru Ishiguro, Fumihiko Takayama, Yoshizo Tsuda.
(Note: Writing/Directing credits taken from IMDB, which is user-edited and may not be 100% accurate)

Original Air Date - Robotech: Mar. 4, 1985.
Story Editor: Steve Kramer. Directed by: Robert V. Barron.


PLOT - MACROSS:

In the future year of 1999, an alien spaceship crashes on a South Pacific island. Because people are basically short-sighted and selfish, the discovery kicks off years of global conflict over control of the SDF Macross.

By 2009, the Unification Wars have ended. The Earth United Nations Government has completed work on the Macross, with scientists extrapolating where necessary to create a vessel ready to launch into space. This prompts a huge celebration in Macross City, the metropolis that has sprung up around the crash site.

Hikaru Ichijyo has been invited to the ceremony by Major Roy Focker, the hero of the Unification Wars who now leads the Macross's fighter squadron. Hikaru is himself a gifted pilot, but he has no interest in the military. He's happy just showing off in his father's aerial circus. He is intrigued by the advanced Valkyrie fighters, however, and he waits in the cockpit of an empty plane for Roy to make good on his promise to take him up.

It's then that an alien fleet appears in orbit. They've traced the Macross to Earth. Detecting its old enemies, the Macross's systems spring to life, and its heavy cannon fires on its own - effectively declaring war on an alien race. Leaving Hikaru stuck in the cockpit of a fighter he doesn't know how to fly, with orders to launch at once...


PLOT - ROBOTECH:

In the future year of 1999, an alien spaceship crashes on a South Pacific island. Though the Earth has been at war, this discovery leads to worldwide peace, with the governments of Earth banding together to unravel the secrets of this advanced vessel.

By 2009, the SDF-1 is complete, and Macross City holds a giant celebration in preparation for its launch into space. Young Rick Hunter has been invited to the ceremony by Major Roy Fokker, the ace pilot in charge of the ship's fighter squadron. Intrigued by the advanced fighter, Rick waits in the cockpit of an empty plane for Roy to make good on his promise to take him up.

It's then that an alien fleet appears in orbit. The Zentaedi have traced the SDF-1 to Earth. Detecting its old enemies, the ship's systems spring to life, and its heavy cannon fires on its own - effectively declaring war on an alien race. Leaving Rick stuck in the cockpit of a fighter he doesn't know how to fly, with orders to launch at once...

Roy confronts Hikaru after his antics disrupt an air show.
Roy confronts Hikaru after his antics disrupt an air show.

CHARACTERS:

Macross's Roy is overtly lascivious, and dialogue among the bridge crew indicates that he is hard-drinking in his off hours. When combat begins, there's a moment in which he realizes that he's returning to action - and he seems to revel in it. Robotech's Roy still eyes a young woman at the celebration, but he otherwise seems to be all business, with the edges noticeably sanded down.

I think the change in backstory creates a plothole, by the way. Roy is a veteran combat pilot in both versions... but since the world of Robotech has been at peace for ten years, I'm not sure exactly when he managed the extremely unlikely feat of shooting down 108 enemies. Oops.

Both Macross's Hikaru and Robotech's Rick share a disdain for the military. In both versions, he responds to Roy's bragging about his military record by snarking about Roy being "a murderer." However, the delivery is different. Hikaru's comment comes across as him puncturing Roy; Rick's similar dig feels blunter and more heavy-handed, making him come across as rather unlikable.

The characterization of Hikaru also sells a key moment in the Macross episode a lot better than in the Robotech version. Even in the mid-'80s, I seem to recall wondering why Rick didn't just respond to the order to launch by saying that he's not actually a fighter pilot. Macross takes a few extra moments to establish just how much pride Hikaru takes in his flying skills. This makes it evident that he wants to fly the fighter. The order to launch just gives him the excuse to do what he wants to do anyway.

In short, while the overall characterizations are similar, they're just a bit more nuanced in Macross.

Advantage: Macross.

On the bridge: First Officer Misa Hayase and Capt. Global.
On the bridge: First Officer Misa Hayase and Capt. Global.

NARRATION:

Both series use narration to set the stage, but the narration is used differently.

Macross opens with the ship's crash landing, with only the visuals, music, and sound effects. The narration, by a low-key female voice, kicks in only after the crash, the narration lasting just long enough to establish the overall world situation. Once the episode proper begins, the narrator is not heard again until the "next episode" segment at the end.

Robotech's narration is delivered by a bombastic male voice who sounds vaguely like a sports announcer. He starts talking the instant the credits end, narrating throughout the crash, literally telling us what we are seeing on screen as it happens. When the episode proper begins... He keeps going, informing us that the young bridge members are recent graduates. Then he comes back to tell us that aliens are arriving (over shots of aliens arriving), and he identifies the aliens as Zentraedi.

Basically, the Robotech narrator overexplains everything, to a point that brushes against the accidentally comical. Viewed with distance, I'm pretty sure the overaggressive narrator is a sign that execs were nervous about the young '80s audience keeping up with the story and its concepts. I understand that; the general backstory is substantially more complicated than the average '80s cartoon. Even so, I think they could have gotten away with just a bit... less.

Advantage: Macross.

Hikaru finds himself in battle... in a fighter he doesn't know how to fly!
Hikaru finds himself in battle... in a fighter he doesn't know how to fly!

CUTS AND ALTERATIONS:

The Robotech episode runs about two minutes shorter than the Macross version. A fair bit of that comes from the end credits; Macross's ending song runs just over a minute in length, compared to Robotech's 30 second end credits. Still, that leaves a fair amount of other trims distributed throughout the episode.

Tiny Trims: Most of the deletions are all but invisible. A couple shots are snipped from establishing montages, and a few seconds are dropped from the audience reaction to Rick Hunter's airshow antics. No one of these cuts has any real impact on the end product, but I think they do add up: The Robotech episode just feels like it lacks breathing room compared to the original.

The Mayor Frets About Economics: The captain is introduced riding in the back of a luxury car with the town mayor. In Macross, the mayor frets to Capt. Global that the departure of the Macross will spell economic disaster for the city. In Robotech, this is simplified (and the scene greatly shortened) to him merely observing that Capt. Gloval doesn't appear in good spirits. Dialogue that hinted at a more complex overall situation is simplified to keep viewers from thinking about anything other than The Plot.

An Argument on the Bridge: Both series see Flight Officer/default First Officer Misa Hayase/Lisa Hayes berating bridge officer Claudia for spending the night with Roy. In Macross, the scene ends with Claudia playfully offering to let Misa take Roy "off her hands," while Misa shrinks away in embarrassment. This isn't a particularly good scene - but it's a masterpiece next to Robotech's rewrite. Instead of shutting Lisa down by embarrassing her, Claudia launches into a laughably juvenile tirade that includes - I kid you not - a military officer crying out to her superior: "You're not my mother!" The animation of Lisa shrinking away no longer makes sense in context, and the reactions of the other bridge officers make an already bad scene (the episode's worst, in either version) that much worse.

Roy's Leering: In both versions, Roy leers at young Lynn Minmay. In Macross, this is more overt, with Roy's gaze cutting to a close-up shot of her thighs and rear. This shot has been removed from Robotech, making Roy just a man staring at a pretty girl instead of a lascivious creep.

Dialogue Is Noticeably Worse: Robotech's dialogue is functional enough in terms of establishing characters and plot, but almost every exchange feels more juvenile and dumbed down than in Macross. The pity of this is that the Robotech voice cast is actually quite good! Voices are well-suited to the characters, and the actors do a fine job of playing the light moments appropriately without going too broad with the comedy, then changing their tones to reflect when something important is happening. Hopefully future episodes will give these genuinely good voice actors some better dialogue to play.

Advantage: Macross.

The alien Zentradi track the Macross to Earth.
The alien Zentradi track the Macross to Earth.

INCIDENTAL MUSIC:

Macross's incidental music is... fine. It does its job, though the action music for the end battle is fairly generic. I will say that the title ballad is catchy, though I think it repeats "Mac-uh-ross" a few times too many for my tastes.

Robotech's incidental music is very good, however. Composer Ulpio Minucci's main theme is particularly good, raising excitement and hinting at something grand and epic. The incidentals are generally strong as well, from the slightly discordant "alien music" to the battle theme. There's nothing wrong with Macross's incidentals, mind you - but in this one area, at least for this episode, I think Robotech is clearly superior.

Advantage: Robotech.


OVERALL ADVANTAGE: MACROSS:

I'm not going to damn the Robotech version. Despite simplifications and a more juvenile tone, it remains a fine episode, setting up the situation and characters in a way that's engaging to watch.

That said... I think the Macross version is clearly and obviously better. The dialogue is sharper, and the characters feel more three-dimensional; whereas in Robotech, dialogue is dumbed down and characters are flattened.


OTHER MUSINGS:

Whichever version you watch, Boobytrap is a strong first episode. The major characters are set quickly and effectively. Hikaru/Rick's hotshot traits are established through action, so that we already know that he's a good pilot (with a need to have his arrogant butt knocked down a peg or twelve) before he's thrust into battle. Character animations are well-done, and the handrawn art holds up surprisingly well.

In the Robotech version, some of the aliens' dialogue is used to set up elements for the future "generations" of the saga. Notably, when pondering the primitive nature of their opposition, the Zentraedi mention the Robotech Masters and drop the name "Xor." I'll admit that I was surprised to see the script laying groundwork for the next series this early on, and I was genuinely impressed at how well-done it was. The information is provided, but in a way that does not distract from the actual plot.


Overall Rating: 7/10.

Next Episode: Countdown

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